![]() ![]() Baton Rouge: Louisiana State University Press.ĭoughty, O., and J.R. ![]() The complete poems of Christina: A variorum edition. Redemption and representation in Goblin Market: Christina Rossetti and the salvific signifier. Incarnation and interpretation: Christina Rossetti, the Oxford movement, and ‘goblin market’. ![]() Yet, despite this commonplace image of her propagated by early commentaries on her life and sustained by later biographers, Rossetti’s volumes of poetry. In those spaces, she composed the hundreds of poems that are now viewed as her most important body of work. (N.W.) during her middle years, or the peaceful front room at 76 Torrington Square (her final residence for 18 years). Most admirers of Christina Rossetti tend to envision her as a semi-reclusive Victorian “poetess” quietly composing in a small corner of a busy drawing room at 50 Charlotte Street in her earliest days, or the somewhat less chaotic spaces at 45 Upper Albany Street (N.W.) and 56 Euston Sq. It has also been repeatedly set to music and dramatized. The title poem of that volume remains her best known, most commented upon, and most frequently reproduced and illustrated work. In April of 1862, London publisher Alexander Macmillan issued Christina Rossetti’s first volume of poems, Goblin Market and Other Poems. ![]()
0 Comments
Leave a Reply. |